I am hereby apologizing for not writing anything in so long. How am I doing that? With a song.
Y’all know I love rock music. I knew about Godsmack [a.n.- Sully Erna is the lead singer of the band Godsmack]. I loved the song I Stand Alone that is featured on the soundtrack of the movie The Scorpion King. In fact, that song is the reason I even mustered the will to watch the darn movie; and let’s face it, if you haven’t seen The Scorpion King, you do not deserve to live. (part two and part three were fun to watch, but not as fun as the original movie, even though it featured better actors). Anywho, here’s the vid for the soundtrack.
Lately, I’ve been sort of re-discovering Godsmack and Sully, and that is all thanks to a dear friend of mine. You can read her blog here: http://a-black-rose.blogspot.com/ she’s really amazing. Be kind, she’s not a native English speaker. P.S. – Viewer Discretion Advised.
She’s the epicness epicdom of epic epicness and she has a wicked taste in music that I am simply in awe of.
However, you already know that I try to keep the blah-blah to a minimum on this blog, and that is why I don’t write ‘classic’ reviews of songs/albums/artists/bands.
This is the only thing I will mention, not because it is the only thing worth mentioning, but because I could write a book on how awesome this band is.
The pyro effects in concerts are a pretty sweet touch. By that, I mean not everyone has the guts of including them in a show, mostly because of the high risks. The pyrotechnic effects add that something extra that make I Stand Alone one of the most awesome songs ever sung live.
Sully’s voice sounds even better live (how is that possible, right?!) than it does on a studio recording. Maybe I am a little biased on this- who cares?! I love a good band with good songs that sounds amah-zing! live.
I leave you with this amazing concert snippet, as I am off to watch The Avengers at the movie theatre with my best friend in the world. I hear it’s great, so expect a movie review soon, as well as a new playlist and if you’re lucky, maybe a movies-I’ve-seen-recently rating.
—just because its awesomeness and lyrics give me goosebumps. Ramin Karimloo has a freakishly great voice!
Enjoy the masterpiece that this song is!
The Lyrics:
The day starts, the day ends
Time crawls by
Night steals in, pacing the floor
The moments creep,
Yet I can’t bear to sleep
Till I hear you sing
And weeks pass, and months pass
Seasons fly
Still you don’t walk through the door
And in a haze
I count the silent days
Till I hear you sing once more.
And sometimes at night time
I dream that you are there
But wake holding nothing but the empty air
And years come, and years go
Time runs dry
Still I ache down to the core
My broken soul
Can’t be alive and whole
Till I hear you sing once more
And music, your music
It teases at my ear
I turn and it fades away and you’re not here
Let hopes pass, let dreams pass
Let them die
Without you, what are they for?
I’ll always feel
No more than halfway real
Till I hear you sing once more
and here’s the official video
Act I
In a brief prelude, Madame Giry walks along an abandoned pier recalling Phantasma, Coney Island’s ‘City of Wonders’ (“Prologue”). She is then confronted by Fleck, a freak who once worked with her there, who reminds her of ‘the good old days’ and blames her for ‘what happened.’ The audience is transported back in time through “The Coney Island Waltz.”
It is now ten years after the events at the Paris Opera House, and the setting is at Phantasma on Coney Island in New York. An excited group of vacationers arrive overwhelmed at everything that Phantasma has to offer, and speculate about its reclusive, masked owner – known only as Mr. Y (“Heaven by the Sea”). Meg Giry, Christine Daae’s friend from the Opera, is now a headlining performer at Phantasma with Madame Giry, her mother and the Opera’s ballet mistress, at her side.
As Meg prepares for her performance, she wonders what the boss will think and states she will be performing “Only for Him.” She wins the crowd over with her performance of “Only for You,” and learns afterward that Madame Giry has arranged for her to “meet” an important client.
In “The Aerie,” it is confirmed that the Phantom is Mr. Y, the mysterious creator and owner of Phantasma. In a dark, private lair in a tower high above the park, he interacts with an automaton that resembles Christine. In spite of the ten years that have passed and his many successes, he still longs to be reunited with her (“Til I Hear You Sing”). Meg intrudes and presses the Phantom to give feedback on her performance, but he dismisses her as an annoyance.
Madame Giry is irritated that the Phantom is still longing to be with Christine after all the help she has given him over the years (“Giry Confronts the Phantom/Til I Hear You Sing – Reprise”). She reveals that she and Meg helped smuggle him out of Paris and to a ship departing from Calais, where he made his escape to America. Ignoring Giry, the Phantom summons Fleck, who appears with two other freaks, Squelch and Gangle. The Phantom has them send a letter to Christine inviting her to come and perform at Phantasma.
Three months later, Christine, Raoul and their son, Gustave, arrive in New York to crowds of paparazzi (“Christine Disembarks”). It is revealed that Christine is no longer performing and that Raoul has spent much of their fortune on drinking and gambling. They are greeted by the freaks who arrive by a strange mechanical horse and carriage and take them to Coney Island (“Arrival of the Trio/Are You Ready to Begin?”).
Raoul is angry at the way they have been greeted by the freaks and upsets Gustave by not playing with him (“What a Dreadful Town!”). In spite of Christine’s pleas, Raoul leaves to go drinking as Christine tells Gustave to “Look With Your Heart” to try and help him understand his father’s behavior.
After Gustave leaves to go to bed, the Phantom enters and reveals that it was he who summoned her to sing at Phantasma. In “Beneath a Moonless Sky,” the Phantom and Christine recall the night of passion they shared the day before her wedding. Early the next morning, Christine awoke prepared to abandon Raoul for the Phantom, but found that the Phantom had left her. He admits that he left because he was too afraid of being rejected by her again.
They recall that “Once Upon Another Time,” they thought their love had a chance of succeeding, although current situations prevent that from happening. Gustave wakes up screaming from a nightmare and meets the Phantom for the first time as Mr. Y (“Mother Please, I’m Scared!”). The Phantom promises to show Gustave more of Phantasma the next day.
In the rehearsal studio for Phantasma, Meg unexpectedly reunites with Christine, and is surprised and jealous to learn she will be singing there. Raoul runs into Madame Giry and discovers it is the Phantom who has invited Christine to sing there (“Dear Old Friend”). Christine becomes concerned when Gustave goes missing. The freaks bring Gustave to the Aerie where he is greeted by the Phantom.
Gustave plays a haunting melody on the piano, which leads the Phantom to have a revelation that he could be Gustave’s father (“Beautiful”). The Phantom questions Gustave about his feelings and musical abilities, finding that they are kindred spirits. He unmasks himself, believing Gustave will accept him (“The Beauty Underneath”). Gustave is horrified and screams.
Christine enters to comfort a terrified Gustave. When the Phantom presses her about Gustave, Christine confesses to the Phantom that Gustave is his son (“The Phantom Confronts Christine”). The Phantom declares that everything he owns will go to him. A furious Madame Giry overhears this and fears all of her work over the years for the Phantom has been for nothing.
Act II
Following the (“Entr’acte”) we see Raoul sitting alone in a bar contemplating his relationship with Christine (“Why Does She Love Me?”). He is joined by Meg who suggests that he should leave that night with Christine and Gustave.
Raoul refuses, saying he is not afraid of the Phantom, who has since appeared behind the bar. The Phantom makes a bet with a drunken Raoul: if Christine sings Raoul must leave alone; if she doesn’t then all their debts will be wiped away. He also makes Raoul question his paternity of Gustave (“Devil Take The Hindmost”).
At the beach, it is the last day of the season and the holiday makers are enjoying the experience (“Heaven By The Sea – Reprise”). A balloon then lands on the beach and the freaks advertise that night’s performance (“Ladies…Gents!/The Coney Island Waltz – Reprise”). That night, they present Meg, who performs a strip-tease routine about her choice of swimming costume (“Bathing Beauty”).
Backstage, Madame Giry tells Meg that the Phantom had not been there to watch the performance, and it had all been for nothing (“Mother, Did You Watch?”).
(“Before the Performance”), Raoul asks Christine to reconsider her decision to sing, asks her to leave at once if she loves him. As Raoul leaves, the Phantom enters and tells Christine that Raoul knows his love is not enough and that she must sing for him once more.
Alone in her dressing room, Christine recalls the Paris Opera House where she had to make the difficult decision between Raoul and the Phantom. Backstage, Madame Giry, Raoul and the Phantom are wondering whether or not Christine will sing and who will win the bet.
As Christine prepares to perform, Meg makes a hurried exit (“Devil Take The Hindmost – Reprise”). Christine then walks on stage and performs an aria for the crowd (“Love Never Dies”) while Raoul and the Phantom watch from the wings.
The Phantom greets an overwhelmed Christine following her triumphant performance. Christine finds a letter from Raoul stating that he has left for good. Christine realizes that Gustave is missing and becomes worried. Fleck reveals she had discovered Meg’s dressing room smashed up and seen her with a small figure. Madame Giry believes she knows where she has taken him.
On a pier, a distraught Meg is preparing to drown Gustave when she is confronted by the others. She holds up a gun to them so that the Phantom will listen as she reveals the truth: the resources that Madame Giry has afforded him all these years have mainly come from Meg being forced to work secretly as a prostitute to supporters of Phantasma. The Phantom tries to get the gun from her but in the confusion Meg accidentally shoots Christine.
The Phantom rushes to a mortally wounded Christine as Meg watches, horrified by what she has done. Christine reveals to Gustave that the Phantom is his father. Her final words tell the Phantom that her love for him will never die. They have one final kiss, and she dies in his arms. The Phantom hands the body of Christine to Meg and he comforts Gustave who unmasks him as the curtain falls.
The following is a list of the principal original cast of Love Never Dies.
After being surrounded at the Paris Opera House by an angry mob, The Phantom was aided by Madame Giry and her daughter Meg. He came to Coney Island as a freak but rose up and made Coney Island what it is today. He anonymously invites Christine to sing for him after he longs to “hear her sing once more”
Now ten years on, Christine has become a world famous opera singer. Unaware that the invitation has come from The Phantom, she readily agrees to perform at Phantasma, hoping to make her American debut with her husband and son.
Raoul is a changed man from the original. He has lost his fortune due to becoming an alcoholic and severe gambler. Raoul no longer feels the same passion for Christine as he once did and is a constantly angry man.
Now the antagonist of the show, she despises Christine after realizing The Phantom favors her over Meg even after everything she did to help him. After the original she saved The Phantom from an angry mob for the second time where she took him to Coney Island.
Has an extended role in this musical. Now a vaudeville singer, she hopes to become a great singer like Christine and expects The Phantom to do just that, although she is greatly disappointed and resentful of her old friend when Christine comes to sing.
Jack Blass,
Harry Child,
Tyler Fagan,
Alexander Hockaday,
Richard Linnell,
Charlie Manton,
Kaisun Raj
The love child of Christine and the Phantom, although the Phantom does not know this at the beginning. Raoul has raised Gustave as his own son. Gustave possesses the same musical skills as his mother and father.
Musical numbers
Act 1
Prologue – Madame Giry, Fleck
The Coney Island Waltz – The Orchestra
“That’s The Place That You Ruined, You Fool!” – Madame Giry, Fleck
Heaven By The Sea – Ensemble
Only For Him/ Only For You – Meg Giry, Madame Giry, Ensemble
The Aerie – The Orchestra
Til I Hear You Sing – The Phantom
Giry Confronts The Phantom/ ‘Til I Hear You Sing (Reprise) – Meg Giry, Madame Giry, The Phantom
Christine Disembarks – Raoul, Gustave, Ensemble
Arrival Of The Trio – “Are You Ready To Begin?” – Fleck, Gangle, Squelch, Raoul, Gustave, Ensemble
“What A Dreadful Town!” – Christine Daaé, Raoul, Gustave
Look With Your Heart – Christine Daaé, Gustave
Beneath A Moonless Sky – Christine Daaé, The Phantom
Once Upon Another Time – Christine Daaé, The Phantom
“Mother Please, I’m Scared!” – Gustave, Christine Daaé, The Phantom
Dear Old Friend – Meg Giry, Madame Giry, Christine Daaé, Raoul, Gustave, Ensemble
Beautiful – Gustave, Fleck, Gangle, Squelch, The Phantom
The Beauty Underneath – The Phantom, Gustave
The Phantom Confronts Christine – The Phantom, Christine Daaé, Madame Giry
"Let's talk about music. Can we do that? Maybe rock, maybe roll. Your music, my music and their music. Whatever you're hearing, you have to admit it's in your ears always and sometimes it's in your soul, sometimes it's punching you in the back bone and makin' it hard for you to breathe. Take a breath - a deep one. I want to talk about music"